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How an Academic Turned Innovation Expert Created Massively Successful Books

Tendayi Viki on sounding pretentious and other mistakes authors make

By Rob Fitzpatrick and featuring Tendayi Viki


In this Useful Books meetup, weā€™re joined by Tendayi Viki.

Tendayi has a background in academia as a Research Fellow at Stanford University and Research Assistant at Harvard University. He taught at the University of Kent but after 12 years made the switch to the business world. Now Tendayi is an Associate Partner at Strategyzer, an expert at corporate innovation, and an award winning author.

All of this, while very impressive, pales in comparison to his warm personality and groundedness. Tendayi couldā€™ve easily been arrogant with that resume but instead, heā€™s extremely down to earth. In this conversation, youā€™ll learn about the mistakes Tendayi has made and sees other authors make, and youā€™ll have a great time.

So letā€™s get to it!

A FEW TAKEAWAYS

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WHAT DOES YOUR WRITING PROCESS LOOK LIKE?

I developed the habit of waking up at 05:00 a.m. to write. That gives me two hours of writing time before the world wakes up and interrupts my day. I used to try and carve out a time in the middle of the day but that just didnā€™t work at all. There are so many things that come at you in the middle of the day. Like the other day, my wife called that my son was sick and had to be sent back home. Iā€™m distracted now, thereā€™s no chance Iā€™m gonna write anything useful.

I found that in the morning, nobody is up and everything is quiet. Thatā€™s the best time for me to write.

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HOW DO YOU THINK ABOUT THE BOOK AS A PRODUCT?

In my line of work, credibility is very important. I canā€™t cold call companies and be like ā€œHey, you know that those innovation programs are very important? Well, we have the best one. You can buy it now for three easy payments of 599.ā€ Reputation matters a lot. Itā€™s so much easier if someone comes to you. If they already respect me before we start the conversation.

Now, there are two ways to do that. You can deliberately be the snake oil salesmen. But thatā€™s why those books donā€™t work because itā€™s so obvious what the person is trying to do. They write a book so they can say ā€œI wrote a bookā€.

Or, you can say ā€œI actually have something authentic to share and let me share that.ā€ Thatā€™s the approach Iā€™ve taken. I know I need to build a reputation but I donā€™t want to build it on nothing. If people pull back the curtains, they can see substance.

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MANY PEOPLE HAVE GOOD INTENTIONS YET STILL FAIL. ANY GOOD ADVICE THERE?

Do you know the story of how Intuit tried to recruit innovation coaches and failed massively? What they did is get people whoā€™re really interested in lean startups, design thinking, etc. People whoā€™ve been to every conference, read your books Rob like five times, and they recruited those people, gave them the role, and the whole thing failed.

They had the best people and the whole thing failed.

So they came to the conclusion that itā€™s not enough to have the best people. They need to be good teachers as well. If youā€™re gonna recruit an innovation coach, they need to have equal interest in teaching.

Itā€™s almost better to have a person whoā€™s mediocre at innovation but a good teacher, than a person whoā€™s really great at innovation but hates teaching.

Have you ever met those people that are more interested in looking clever than in teaching? Thatā€™s the problem authors face.

(Btw, you might recognize this as failing to bridge the air gap between the knowledge an author has and the reader understanding it. See this article for more The Bad / Good Design Pattern for nonfiction that teaches.)

And Iā€™ve made that mistake too. One of the pieces of feedback I got was, ā€œYour blog is so cool. Your book is so pretentious. Why donā€™t you just write your book in the same way you write your blog?!ā€

And thatā€™s because when Iā€™m writing the book Iā€™m like, ā€œYeah, man I had a crappy day todayā€¦ The head of legal needed me to do XYZ and this is a barier to innovation becauseā€¦ā€ In the book Iā€™m like, ā€œOnce upon a time, the head of legal and compliance appeared into my officeā€¦ā€

I was putting this formal tone to it. I just started from scratch and rewrote everything in that conversational tone. That made it much more useful for readers in the end.

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OTHER NOTEWORTHY REMARKS

  • The more Iā€™m interested in impressing the people Iā€™m talking to, the worse I perform. The more Iā€™m interested in understanding what they need and help them accomplish that, the more I resonate. Iā€™ve stopped worrying about what people think of me and Iā€™ve started ā€œworryingā€ about how I can be of use to them.
  • I think of my work as a service. Once you start thinking like that you become less self-conscious and youā€™re more likely to resonate.
  • I think itā€™s a myth that a traditional publisher can get you more buzz. You have to pay for, and do everything, yourself. Itā€™s just a label and then take the vast majority of your money. I donā€™t think consumers care.

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KEY TAKEAWAYS

  • Focus on helping the reader solve their problem. Not being perceived as smart.
  • Writing the book is 50% of the work. The rest is making sure that the book solves a real problem and provides value, and also promoting it.
  • If you donā€™t really have an audience, leverage other peopleā€™s audiences. Speaking at other conferences, and giving away a few hundred books to kickstart it. If itā€™s useful, word of mouth will take over.

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MORE INFO

TendayiViki.com

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